Parallels and paradoxes: explorations in music and society
Saved in:
Main Authors: | , |
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Format: | Book |
Language: | English |
Published: |
New York
Pantheon Books
2002
|
Edition: | 1. ed. |
Subjects: | |
Abstract: | This fascinating exchange between Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Furtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences--something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999. Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century. |
Physical Description: | XVII, 186 S. |
ISBN: | 0375421068 |
Staff View
MARC
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245 | 1 | 0 | |a Parallels and paradoxes |b explorations in music and society |c Daniel Barenboim and Edward W. Said ; edited and with a preface by Ara Guzelimian |
250 | |a 1. ed. | ||
264 | 1 | |a New York |b Pantheon Books |c 2002 | |
300 | |a XVII, 186 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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520 | 3 | |a This fascinating exchange between Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Furtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences--something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999. Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century. | |
600 | 1 | 4 | |a Beethoven, Ludwig van <1770-1827> |x Criticism and interpretation |
600 | 1 | 4 | |a Wagner, Richard <1813-1883> |x Criticism and interpretation |
600 | 1 | 7 | |a Said, Edward W. |d 1935-2003 |0 (DE-588)119174308 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Barenboim, Daniel |d 1942- |0 (DE-588)118506560 |2 gnd |9 rswk-swf |
650 | 7 | |a Filosofische aspecten |2 gtt | |
650 | 7 | |a Interpretatie |2 gtt | |
650 | 7 | |a Muziek |2 gtt | |
650 | 7 | |a Sociale aspecten |2 gtt | |
650 | 4 | |a Gesellschaft | |
650 | 4 | |a Musik | |
650 | 4 | |a Philosophie | |
650 | 4 | |a Music |x Interpretation (Phrasing, dynamics, etc.) | |
650 | 4 | |a Music |x Philosophy and aesthetics | |
650 | 4 | |a Music |x Social aspects | |
650 | 0 | 7 | |a Gespräch |0 (DE-588)4020713-4 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Barenboim, Daniel |d 1942- |0 (DE-588)118506560 |D p |
689 | 0 | 1 | |a Said, Edward W. |d 1935-2003 |0 (DE-588)119174308 |D p |
689 | 0 | 2 | |a Gespräch |0 (DE-588)4020713-4 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Said, Edward W. |d 1935-2003 |e Verfasser |0 (DE-588)119174308 |4 aut | |
700 | 1 | |a Guzelimian, Ara |e Sonstige |4 oth | |
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Record in the Search Index
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any_adam_object | |
author | Barenboim, Daniel 1942- Said, Edward W. 1935-2003 |
author_GND | (DE-588)118506560 (DE-588)119174308 |
author_facet | Barenboim, Daniel 1942- Said, Edward W. 1935-2003 |
author_role | aut aut |
author_sort | Barenboim, Daniel 1942- |
author_variant | d b db e w s ew ews |
building | Verbundindex |
bvnumber | BV014462743 |
callnumber-first | M - Music |
callnumber-label | ML3845 |
callnumber-raw | ML3845 |
callnumber-search | ML3845 |
callnumber-sort | ML 43845 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 16000 |
ctrlnum | (OCoLC)49519141 (DE-599)BVBBV014462743 |
dewey-full | 780 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780 |
dewey-search | 780 |
dewey-sort | 3780 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 1. ed. |
format | Book |
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illustrated | Not Illustrated |
indexdate | 2024-12-20T11:04:24Z |
institution | BVB |
isbn | 0375421068 |
language | English |
lccn | 2002022003 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009875785 |
oclc_num | 49519141 |
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owner | DE-703 DE-12 |
owner_facet | DE-703 DE-12 |
physical | XVII, 186 S. |
publishDate | 2002 |
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publishDateSort | 2002 |
publisher | Pantheon Books |
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spelling | Barenboim, Daniel 1942- Verfasser (DE-588)118506560 aut Parallels and paradoxes explorations in music and society Daniel Barenboim and Edward W. Said ; edited and with a preface by Ara Guzelimian 1. ed. New York Pantheon Books 2002 XVII, 186 S. txt rdacontent n rdamedia nc rdacarrier This fascinating exchange between Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Furtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences--something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999. Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century. Beethoven, Ludwig van <1770-1827> Criticism and interpretation Wagner, Richard <1813-1883> Criticism and interpretation Said, Edward W. 1935-2003 (DE-588)119174308 gnd rswk-swf Barenboim, Daniel 1942- (DE-588)118506560 gnd rswk-swf Filosofische aspecten gtt Interpretatie gtt Muziek gtt Sociale aspecten gtt Gesellschaft Musik Philosophie Music Interpretation (Phrasing, dynamics, etc.) Music Philosophy and aesthetics Music Social aspects Gespräch (DE-588)4020713-4 gnd rswk-swf Barenboim, Daniel 1942- (DE-588)118506560 p Said, Edward W. 1935-2003 (DE-588)119174308 p Gespräch (DE-588)4020713-4 s DE-604 Said, Edward W. 1935-2003 Verfasser (DE-588)119174308 aut Guzelimian, Ara Sonstige oth |
spellingShingle | Barenboim, Daniel 1942- Said, Edward W. 1935-2003 Parallels and paradoxes explorations in music and society Beethoven, Ludwig van <1770-1827> Criticism and interpretation Wagner, Richard <1813-1883> Criticism and interpretation Said, Edward W. 1935-2003 (DE-588)119174308 gnd Barenboim, Daniel 1942- (DE-588)118506560 gnd Filosofische aspecten gtt Interpretatie gtt Muziek gtt Sociale aspecten gtt Gesellschaft Musik Philosophie Music Interpretation (Phrasing, dynamics, etc.) Music Philosophy and aesthetics Music Social aspects Gespräch (DE-588)4020713-4 gnd |
subject_GND | (DE-588)119174308 (DE-588)118506560 (DE-588)4020713-4 |
title | Parallels and paradoxes explorations in music and society |
title_auth | Parallels and paradoxes explorations in music and society |
title_exact_search | Parallels and paradoxes explorations in music and society |
title_full | Parallels and paradoxes explorations in music and society Daniel Barenboim and Edward W. Said ; edited and with a preface by Ara Guzelimian |
title_fullStr | Parallels and paradoxes explorations in music and society Daniel Barenboim and Edward W. Said ; edited and with a preface by Ara Guzelimian |
title_full_unstemmed | Parallels and paradoxes explorations in music and society Daniel Barenboim and Edward W. Said ; edited and with a preface by Ara Guzelimian |
title_short | Parallels and paradoxes |
title_sort | parallels and paradoxes explorations in music and society |
title_sub | explorations in music and society |
topic | Beethoven, Ludwig van <1770-1827> Criticism and interpretation Wagner, Richard <1813-1883> Criticism and interpretation Said, Edward W. 1935-2003 (DE-588)119174308 gnd Barenboim, Daniel 1942- (DE-588)118506560 gnd Filosofische aspecten gtt Interpretatie gtt Muziek gtt Sociale aspecten gtt Gesellschaft Musik Philosophie Music Interpretation (Phrasing, dynamics, etc.) Music Philosophy and aesthetics Music Social aspects Gespräch (DE-588)4020713-4 gnd |
topic_facet | Beethoven, Ludwig van <1770-1827> Criticism and interpretation Wagner, Richard <1813-1883> Criticism and interpretation Said, Edward W. 1935-2003 Barenboim, Daniel 1942- Filosofische aspecten Interpretatie Muziek Sociale aspecten Gesellschaft Musik Philosophie Music Interpretation (Phrasing, dynamics, etc.) Music Philosophy and aesthetics Music Social aspects Gespräch |
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