Papal patronage and the music of St. Peter's: 1380 - 1513
Part 1 of Reynold's study is a historical account of singers, music scribes, composers, organists, and other instrumentalists. In Part 2, Reynolds examines several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. In Part...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
1995
|
| Schlagwörter: | |
| Zusammenfassung: | Part 1 of Reynold's study is a historical account of singers, music scribes, composers, organists, and other instrumentalists. In Part 2, Reynolds examines several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. In Part 3, he examines the music to reveal the composers' cultural values and educational backgrounds in order to refute the accepted view that northern composers upheld scholastic values in a humanistic cultural milieu. In revealing a developing nationalism in patronage, which by the end of the century sought to favor Italian musicians once again, Reynolds chronicles changes in musical tastes and styles |
| Abstract: | Examining archival documents, musical styles, and issues of artistic patronage and cultural context, Christopher Reynolds offers a new picture of music at the basilica of St. Peter's in the fifteenth century. An expanding commitment to music during this period is signaled by the construction of several organs, the employment of singers from outside Italy, and the gathering of an international group of composers and scribes. The attraction of St. Peter's for northerners attests to the strength of the system of clerical patronage that existed from the Avignon papacy to the Council of Trent. The resulting artistic flowering left us the earliest documentable tradition of written polyphony in Rome |
| Umfang: | XVII, 439 S. Ill., Notenbeisp. |
| ISBN: | 0520082125 |
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| 520 | 3 | |a Examining archival documents, musical styles, and issues of artistic patronage and cultural context, Christopher Reynolds offers a new picture of music at the basilica of St. Peter's in the fifteenth century. An expanding commitment to music during this period is signaled by the construction of several organs, the employment of singers from outside Italy, and the gathering of an international group of composers and scribes. The attraction of St. Peter's for northerners attests to the strength of the system of clerical patronage that existed from the Avignon papacy to the Council of Trent. The resulting artistic flowering left us the earliest documentable tradition of written polyphony in Rome | |
| 520 | |a Part 1 of Reynold's study is a historical account of singers, music scribes, composers, organists, and other instrumentalists. In Part 2, Reynolds examines several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. In Part 3, he examines the music to reveal the composers' cultural values and educational backgrounds in order to refute the accepted view that northern composers upheld scholastic values in a humanistic cultural milieu. In revealing a developing nationalism in patronage, which by the end of the century sought to favor Italian musicians once again, Reynolds chronicles changes in musical tastes and styles | ||
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| author | Reynolds, Christopher A. 1951- |
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| indexdate | 2024-12-20T09:59:38Z |
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| spelling | Reynolds, Christopher A. 1951- Verfasser (DE-588)128932171 aut Papal patronage and the music of St. Peter's 1380 - 1513 Christopher A. Reynolds Berkeley [u.a.] Univ. of California Press 1995 XVII, 439 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Examining archival documents, musical styles, and issues of artistic patronage and cultural context, Christopher Reynolds offers a new picture of music at the basilica of St. Peter's in the fifteenth century. An expanding commitment to music during this period is signaled by the construction of several organs, the employment of singers from outside Italy, and the gathering of an international group of composers and scribes. The attraction of St. Peter's for northerners attests to the strength of the system of clerical patronage that existed from the Avignon papacy to the Council of Trent. The resulting artistic flowering left us the earliest documentable tradition of written polyphony in Rome Part 1 of Reynold's study is a historical account of singers, music scribes, composers, organists, and other instrumentalists. In Part 2, Reynolds examines several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. In Part 3, he examines the music to reveal the composers' cultural values and educational backgrounds in order to refute the accepted view that northern composers upheld scholastic values in a humanistic cultural milieu. In revealing a developing nationalism in patronage, which by the end of the century sought to favor Italian musicians once again, Reynolds chronicles changes in musical tastes and styles Basilica di San Pietro Basilica di San Pietro (Vatican) Katholische Kirche Basilica di San Pietro in Vaticano Geschichte 1380-1513 gnd rswk-swf Civilisation médiévale - 14e siècle Kerkmuziek gtt Musique - Mécénat - Italie - Rome Musique d'église - Italie - Rome - 15e siècle Musique d'église - Église catholique Patronage gtt Sint-Pieter (Rome) gtt Church music Catholic Church Church music Italy Rome Music patronage Italy Rome Musik (DE-588)4040802-4 gnd rswk-swf Mäzenatentum (DE-588)4074442-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Italien Rom Peterskirche Rom (DE-588)4076822-3 gnd rswk-swf Peterskirche Rom (DE-588)4076822-3 g Musik (DE-588)4040802-4 s Geschichte 1380-1513 z DE-604 Kunst (DE-588)4114333-4 s Liturgie (DE-588)4036050-7 s 1\p DE-604 2\p DE-604 Mäzenatentum (DE-588)4074442-5 s 3\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Reynolds, Christopher A. 1951- Papal patronage and the music of St. Peter's 1380 - 1513 Basilica di San Pietro Basilica di San Pietro (Vatican) Katholische Kirche Basilica di San Pietro in Vaticano Civilisation médiévale - 14e siècle Kerkmuziek gtt Musique - Mécénat - Italie - Rome Musique d'église - Italie - Rome - 15e siècle Musique d'église - Église catholique Patronage gtt Sint-Pieter (Rome) gtt Church music Catholic Church Church music Italy Rome Music patronage Italy Rome Musik (DE-588)4040802-4 gnd Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Liturgie (DE-588)4036050-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4074442-5 (DE-588)4114333-4 (DE-588)4036050-7 (DE-588)4076822-3 |
| title | Papal patronage and the music of St. Peter's 1380 - 1513 |
| title_auth | Papal patronage and the music of St. Peter's 1380 - 1513 |
| title_exact_search | Papal patronage and the music of St. Peter's 1380 - 1513 |
| title_full | Papal patronage and the music of St. Peter's 1380 - 1513 Christopher A. Reynolds |
| title_fullStr | Papal patronage and the music of St. Peter's 1380 - 1513 Christopher A. Reynolds |
| title_full_unstemmed | Papal patronage and the music of St. Peter's 1380 - 1513 Christopher A. Reynolds |
| title_short | Papal patronage and the music of St. Peter's |
| title_sort | papal patronage and the music of st peter s 1380 1513 |
| title_sub | 1380 - 1513 |
| topic | Basilica di San Pietro Basilica di San Pietro (Vatican) Katholische Kirche Basilica di San Pietro in Vaticano Civilisation médiévale - 14e siècle Kerkmuziek gtt Musique - Mécénat - Italie - Rome Musique d'église - Italie - Rome - 15e siècle Musique d'église - Église catholique Patronage gtt Sint-Pieter (Rome) gtt Church music Catholic Church Church music Italy Rome Music patronage Italy Rome Musik (DE-588)4040802-4 gnd Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Liturgie (DE-588)4036050-7 gnd |
| topic_facet | Basilica di San Pietro Basilica di San Pietro (Vatican) Katholische Kirche Basilica di San Pietro in Vaticano Civilisation médiévale - 14e siècle Kerkmuziek Musique - Mécénat - Italie - Rome Musique d'église - Italie - Rome - 15e siècle Musique d'église - Église catholique Patronage Sint-Pieter (Rome) Church music Catholic Church Church music Italy Rome Music patronage Italy Rome Musik Mäzenatentum Kunst Liturgie Italien Rom Peterskirche Rom |
| work_keys_str_mv | AT reynoldschristophera papalpatronageandthemusicofstpeters13801513 |