Classical music and postmodern knowledge:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Berkeley, Calif. [u.a.]
Univ. of California Press
1995
|
| Edition: | 1. paperback print. |
| Subjects: | |
| Physical Description: | XVII, 297 S. Ill., Notenbeisp. 24 cm |
| ISBN: | 0520088204 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010434958 | ||
| 003 | DE-604 | ||
| 005 | 20141216 | ||
| 007 | t| | ||
| 008 | 951019s1995 xx agl| |||| 00||| eng d | ||
| 020 | |a 0520088204 |9 0-520-08820-4 | ||
| 035 | |a (OCoLC)30157673 | ||
| 035 | |a (DE-599)BVBBV010434958 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-739 |a DE-19 |a DE-20 |a DE-B170 |a DE-11 |a DE-188 | ||
| 050 | 0 | |a ML3845 | |
| 082 | 0 | |a 781.6/8/01 |2 20 | |
| 084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
| 084 | |a LR 57730 |0 (DE-625)109882:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Kramer, Lawrence |d 1946- |e Verfasser |0 (DE-588)120902877 |4 aut | |
| 245 | 1 | 0 | |a Classical music and postmodern knowledge |c Lawrence Kramer |
| 250 | |a 1. paperback print. | ||
| 264 | 1 | |a Berkeley, Calif. [u.a.] |b Univ. of California Press |c 1995 | |
| 300 | |a XVII, 297 S. |b Ill., Notenbeisp. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 0 | |a Prospects: postmodernism and musicology -- From the other to the abject: music as cultural trope -- Music and representation: in the beginning with Haydn's Creation -- Musical narratology: a theoretical outline -- Felix culpa: Mendelssohn, Goethe, and the social force of musical expression -- The Lied as cultural practice: tutelage, gender, and desire in Mendelssohn's Goethe songs -- Cultural politics and musical form: the case of Charles Ives -- Consuming the exotic: Ravel's Daphnis and Chloe -- Autonomy, Elvis, Cinders, fingering Bach -- Mendelssohn: three Goethe songs. | |
| 650 | 7 | |a Klassieke muziek |2 gtt | |
| 650 | 4 | |a Musique - 18e siècle - Philosophie et esthétique | |
| 650 | 4 | |a Musique - 19e siècle - Philosophie et esthétique | |
| 650 | 4 | |a Musique - Philosophie et esthétique | |
| 650 | 7 | |a Muziekfilosofie |2 gtt | |
| 650 | 4 | |a Postmodernisme | |
| 650 | 7 | |a Postmodernisme |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Postmoderne | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
| 650 | 4 | |a Postmodernism | |
| 650 | 0 | 7 | |a Klassische Musik |0 (DE-588)4164043-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikästhetik |0 (DE-588)4040808-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Postmoderne |0 (DE-588)4115604-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 0 | 1 | |a Klassische Musik |0 (DE-588)4164043-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musikästhetik |0 (DE-588)4040808-5 |D s |
| 689 | 1 | 1 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-006953568 | |
Record in the Search Index
| _version_ | 1818952672219234304 |
|---|---|
| any_adam_object | |
| author | Kramer, Lawrence 1946- |
| author_GND | (DE-588)120902877 |
| author_facet | Kramer, Lawrence 1946- |
| author_role | aut |
| author_sort | Kramer, Lawrence 1946- |
| author_variant | l k lk |
| building | Verbundindex |
| bvnumber | BV010434958 |
| callnumber-first | M - Music |
| callnumber-label | ML3845 |
| callnumber-raw | ML3845 |
| callnumber-search | ML3845 |
| callnumber-sort | ML 43845 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56820 LR 57730 |
| contents | Prospects: postmodernism and musicology -- From the other to the abject: music as cultural trope -- Music and representation: in the beginning with Haydn's Creation -- Musical narratology: a theoretical outline -- Felix culpa: Mendelssohn, Goethe, and the social force of musical expression -- The Lied as cultural practice: tutelage, gender, and desire in Mendelssohn's Goethe songs -- Cultural politics and musical form: the case of Charles Ives -- Consuming the exotic: Ravel's Daphnis and Chloe -- Autonomy, Elvis, Cinders, fingering Bach -- Mendelssohn: three Goethe songs. |
| ctrlnum | (OCoLC)30157673 (DE-599)BVBBV010434958 |
| dewey-full | 781.6/8/01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6/8/01 |
| dewey-search | 781.6/8/01 |
| dewey-sort | 3781.6 18 11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. paperback print. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02636nam a2200589 c 4500</leader><controlfield tag="001">BV010434958</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20141216 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">951019s1995 xx agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520088204</subfield><subfield code="9">0-520-08820-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)30157673</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010434958</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3845</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.6/8/01</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57730</subfield><subfield code="0">(DE-625)109882:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kramer, Lawrence</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)120902877</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Classical music and postmodern knowledge</subfield><subfield code="c">Lawrence Kramer</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. paperback print.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley, Calif. [u.a.]</subfield><subfield code="b">Univ. of California Press</subfield><subfield code="c">1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVII, 297 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Prospects: postmodernism and musicology -- From the other to the abject: music as cultural trope -- Music and representation: in the beginning with Haydn's Creation -- Musical narratology: a theoretical outline -- Felix culpa: Mendelssohn, Goethe, and the social force of musical expression -- The Lied as cultural practice: tutelage, gender, and desire in Mendelssohn's Goethe songs -- Cultural politics and musical form: the case of Charles Ives -- Consuming the exotic: Ravel's Daphnis and Chloe -- Autonomy, Elvis, Cinders, fingering Bach -- Mendelssohn: three Goethe songs.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Klassieke muziek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - 18e siècle - Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - 19e siècle - Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Muziekfilosofie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmodernisme</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Postmodernisme</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmodernism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klassische Musik</subfield><subfield code="0">(DE-588)4164043-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Klassische Musik</subfield><subfield code="0">(DE-588)4164043-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006953568</subfield></datafield></record></collection> |
| id | DE-604.BV010434958 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T09:54:06Z |
| institution | BVB |
| isbn | 0520088204 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006953568 |
| oclc_num | 30157673 |
| open_access_boolean | |
| owner | DE-12 DE-739 DE-19 DE-BY-UBM DE-20 DE-B170 DE-11 DE-188 |
| owner_facet | DE-12 DE-739 DE-19 DE-BY-UBM DE-20 DE-B170 DE-11 DE-188 |
| physical | XVII, 297 S. Ill., Notenbeisp. 24 cm |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Univ. of California Press |
| record_format | marc |
| spelling | Kramer, Lawrence 1946- Verfasser (DE-588)120902877 aut Classical music and postmodern knowledge Lawrence Kramer 1. paperback print. Berkeley, Calif. [u.a.] Univ. of California Press 1995 XVII, 297 S. Ill., Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Prospects: postmodernism and musicology -- From the other to the abject: music as cultural trope -- Music and representation: in the beginning with Haydn's Creation -- Musical narratology: a theoretical outline -- Felix culpa: Mendelssohn, Goethe, and the social force of musical expression -- The Lied as cultural practice: tutelage, gender, and desire in Mendelssohn's Goethe songs -- Cultural politics and musical form: the case of Charles Ives -- Consuming the exotic: Ravel's Daphnis and Chloe -- Autonomy, Elvis, Cinders, fingering Bach -- Mendelssohn: three Goethe songs. Klassieke muziek gtt Musique - 18e siècle - Philosophie et esthétique Musique - 19e siècle - Philosophie et esthétique Musique - Philosophie et esthétique Muziekfilosofie gtt Postmodernisme Postmodernisme gtt Musik Postmoderne Music Philosophy and aesthetics Postmodernism Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Postmoderne (DE-588)4115604-3 s Klassische Musik (DE-588)4164043-3 s DE-604 Musikästhetik (DE-588)4040808-5 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kramer, Lawrence 1946- Classical music and postmodern knowledge Prospects: postmodernism and musicology -- From the other to the abject: music as cultural trope -- Music and representation: in the beginning with Haydn's Creation -- Musical narratology: a theoretical outline -- Felix culpa: Mendelssohn, Goethe, and the social force of musical expression -- The Lied as cultural practice: tutelage, gender, and desire in Mendelssohn's Goethe songs -- Cultural politics and musical form: the case of Charles Ives -- Consuming the exotic: Ravel's Daphnis and Chloe -- Autonomy, Elvis, Cinders, fingering Bach -- Mendelssohn: three Goethe songs. Klassieke muziek gtt Musique - 18e siècle - Philosophie et esthétique Musique - 19e siècle - Philosophie et esthétique Musique - Philosophie et esthétique Muziekfilosofie gtt Postmodernisme Postmodernisme gtt Musik Postmoderne Music Philosophy and aesthetics Postmodernism Klassische Musik (DE-588)4164043-3 gnd Musikästhetik (DE-588)4040808-5 gnd Postmoderne (DE-588)4115604-3 gnd |
| subject_GND | (DE-588)4164043-3 (DE-588)4040808-5 (DE-588)4115604-3 |
| title | Classical music and postmodern knowledge |
| title_auth | Classical music and postmodern knowledge |
| title_exact_search | Classical music and postmodern knowledge |
| title_full | Classical music and postmodern knowledge Lawrence Kramer |
| title_fullStr | Classical music and postmodern knowledge Lawrence Kramer |
| title_full_unstemmed | Classical music and postmodern knowledge Lawrence Kramer |
| title_short | Classical music and postmodern knowledge |
| title_sort | classical music and postmodern knowledge |
| topic | Klassieke muziek gtt Musique - 18e siècle - Philosophie et esthétique Musique - 19e siècle - Philosophie et esthétique Musique - Philosophie et esthétique Muziekfilosofie gtt Postmodernisme Postmodernisme gtt Musik Postmoderne Music Philosophy and aesthetics Postmodernism Klassische Musik (DE-588)4164043-3 gnd Musikästhetik (DE-588)4040808-5 gnd Postmoderne (DE-588)4115604-3 gnd |
| topic_facet | Klassieke muziek Musique - 18e siècle - Philosophie et esthétique Musique - 19e siècle - Philosophie et esthétique Musique - Philosophie et esthétique Muziekfilosofie Postmodernisme Musik Postmoderne Music Philosophy and aesthetics Postmodernism Klassische Musik Musikästhetik |
| work_keys_str_mv | AT kramerlawrence classicalmusicandpostmodernknowledge |