Natural masques: gender and identity in Fielding's plays and novels
The plays with which Fielding began his literary career are particularly explicit concerning his interest in problems of gender. Some of their most recurrent satiric targets - domineering women, castrato singers, beaux - disrupt the expected economy of sexual roles, and Fielding's productions o...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Stanford, Calif.
Stanford Univ. Press
1995
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| Schlagwörter: | |
| Zusammenfassung: | The plays with which Fielding began his literary career are particularly explicit concerning his interest in problems of gender. Some of their most recurrent satiric targets - domineering women, castrato singers, beaux - disrupt the expected economy of sexual roles, and Fielding's productions of his own plays often featured the dramatic spectacle of this disruption, with men cast in women's roles, and women in men's. In the opening scenes of Joseph Andrews, Fielding frames his parodic response to Pamela by reversing the sexes of the two participants in Richardson's scenario of embattled chastity. Campbell shows how throughout Fielding's writings, the suspicion that sexual roles are merely assumed - and therefore subject to alteration and appropriation - intimates a more general possibility that personal identity is always in some sense impersonated, incoherent, mutable Campbell draws on recent work that sees the eighteenth century as a crucial moment in the history of sexuality and gender, and she critiques new treatments of the novel's function in defining domestic femininity |
| Abstract: | Examining Henry Fielding's sustained, often ambivalent engagement with questions of gender, Natural Masques breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. It argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries. It therefore offers an argument about Fielding's period as well as about his major works, which are analyzed in connection with a variety of related texts - from satires on the castrati to educational treatises, Whig propaganda, and debates in political theory. Approaching gender as a complex system of relations, Campbell investigates Fielding's treatments of masculine and feminine identities across the arenas of eighteenth-century political, social, and literary conflict and change |
| Beschreibung: | Zugl.: Diss. |
| Umfang: | XII, 324 S. Ill. |
| ISBN: | 0804723915 0804725209 |
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| 520 | 3 | |a Examining Henry Fielding's sustained, often ambivalent engagement with questions of gender, Natural Masques breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. It argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries. It therefore offers an argument about Fielding's period as well as about his major works, which are analyzed in connection with a variety of related texts - from satires on the castrati to educational treatises, Whig propaganda, and debates in political theory. Approaching gender as a complex system of relations, Campbell investigates Fielding's treatments of masculine and feminine identities across the arenas of eighteenth-century political, social, and literary conflict and change | |
| 520 | |a The plays with which Fielding began his literary career are particularly explicit concerning his interest in problems of gender. Some of their most recurrent satiric targets - domineering women, castrato singers, beaux - disrupt the expected economy of sexual roles, and Fielding's productions of his own plays often featured the dramatic spectacle of this disruption, with men cast in women's roles, and women in men's. In the opening scenes of Joseph Andrews, Fielding frames his parodic response to Pamela by reversing the sexes of the two participants in Richardson's scenario of embattled chastity. Campbell shows how throughout Fielding's writings, the suspicion that sexual roles are merely assumed - and therefore subject to alteration and appropriation - intimates a more general possibility that personal identity is always in some sense impersonated, incoherent, mutable | ||
| 520 | |a Campbell draws on recent work that sees the eighteenth century as a crucial moment in the history of sexuality and gender, and she critiques new treatments of the novel's function in defining domestic femininity | ||
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Datensatz im Suchindex
| _version_ | 1822589379519971328 |
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| any_adam_object | |
| author | Campbell, Jill |
| author_facet | Campbell, Jill |
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| building | Verbundindex |
| bvnumber | BV010383122 |
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| callnumber-label | PR3458 |
| callnumber-raw | PR3458.P8 |
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| callnumber-sort | PR 43458 P8 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HK 2095 |
| ctrlnum | (OCoLC)30915861 (DE-599)BVBBV010383122 |
| dewey-full | 823/.5 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.5 |
| dewey-search | 823/.5 |
| dewey-sort | 3823 15 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
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| id | DE-604.BV010383122 |
| illustrated | Illustrated |
| indexdate | 2025-01-29T13:17:59Z |
| institution | BVB |
| isbn | 0804723915 0804725209 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006912841 |
| oclc_num | 30915861 |
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| physical | XII, 324 S. Ill. |
| publishDate | 1995 |
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| publisher | Stanford Univ. Press |
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| spelling | Campbell, Jill Verfasser aut Natural masques gender and identity in Fielding's plays and novels Jill Campbell Stanford, Calif. Stanford Univ. Press 1995 XII, 324 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zugl.: Diss. Examining Henry Fielding's sustained, often ambivalent engagement with questions of gender, Natural Masques breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. It argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries. It therefore offers an argument about Fielding's period as well as about his major works, which are analyzed in connection with a variety of related texts - from satires on the castrati to educational treatises, Whig propaganda, and debates in political theory. Approaching gender as a complex system of relations, Campbell investigates Fielding's treatments of masculine and feminine identities across the arenas of eighteenth-century political, social, and literary conflict and change The plays with which Fielding began his literary career are particularly explicit concerning his interest in problems of gender. Some of their most recurrent satiric targets - domineering women, castrato singers, beaux - disrupt the expected economy of sexual roles, and Fielding's productions of his own plays often featured the dramatic spectacle of this disruption, with men cast in women's roles, and women in men's. In the opening scenes of Joseph Andrews, Fielding frames his parodic response to Pamela by reversing the sexes of the two participants in Richardson's scenario of embattled chastity. Campbell shows how throughout Fielding's writings, the suspicion that sexual roles are merely assumed - and therefore subject to alteration and appropriation - intimates a more general possibility that personal identity is always in some sense impersonated, incoherent, mutable Campbell draws on recent work that sees the eighteenth century as a crucial moment in the history of sexuality and gender, and she critiques new treatments of the novel's function in defining domestic femininity Fielding, Henry <1707-1754> - Et la psychologie Fielding, Henry <1707-1754> Knowledge Psychology Fielding, Henry 1707-1754 (DE-588)118532960 gnd rswk-swf Féminité dans la littérature Identité (Psychologie) dans la littérature Identité sexuelle dans la littérature Masculinité dans la littérature Rôle selon le sexe dans la littérature Psychologie Wissen Drama Psychological aspects Femininity in literature Gender identity in literature Identity (Psychology) in literature Masculinity in literature Psychological fiction, American History and criticism Sex role in literature Geschlechterverhältnis (DE-588)4020548-4 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Identität Motiv (DE-588)4311101-4 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Fielding, Henry 1707-1754 (DE-588)118532960 p Geschlechterverhältnis (DE-588)4020548-4 s Identität (DE-588)4026482-8 s DE-604 Geschlechterrolle Motiv (DE-588)4222106-7 s Identität Motiv (DE-588)4311101-4 s DE-188 |
| spellingShingle | Campbell, Jill Natural masques gender and identity in Fielding's plays and novels Fielding, Henry <1707-1754> - Et la psychologie Fielding, Henry <1707-1754> Knowledge Psychology Fielding, Henry 1707-1754 (DE-588)118532960 gnd Féminité dans la littérature Identité (Psychologie) dans la littérature Identité sexuelle dans la littérature Masculinité dans la littérature Rôle selon le sexe dans la littérature Psychologie Wissen Drama Psychological aspects Femininity in literature Gender identity in literature Identity (Psychology) in literature Masculinity in literature Psychological fiction, American History and criticism Sex role in literature Geschlechterverhältnis (DE-588)4020548-4 gnd Identität (DE-588)4026482-8 gnd Identität Motiv (DE-588)4311101-4 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
| subject_GND | (DE-588)118532960 (DE-588)4020548-4 (DE-588)4026482-8 (DE-588)4311101-4 (DE-588)4222106-7 (DE-588)4113937-9 |
| title | Natural masques gender and identity in Fielding's plays and novels |
| title_auth | Natural masques gender and identity in Fielding's plays and novels |
| title_exact_search | Natural masques gender and identity in Fielding's plays and novels |
| title_full | Natural masques gender and identity in Fielding's plays and novels Jill Campbell |
| title_fullStr | Natural masques gender and identity in Fielding's plays and novels Jill Campbell |
| title_full_unstemmed | Natural masques gender and identity in Fielding's plays and novels Jill Campbell |
| title_short | Natural masques |
| title_sort | natural masques gender and identity in fielding s plays and novels |
| title_sub | gender and identity in Fielding's plays and novels |
| topic | Fielding, Henry <1707-1754> - Et la psychologie Fielding, Henry <1707-1754> Knowledge Psychology Fielding, Henry 1707-1754 (DE-588)118532960 gnd Féminité dans la littérature Identité (Psychologie) dans la littérature Identité sexuelle dans la littérature Masculinité dans la littérature Rôle selon le sexe dans la littérature Psychologie Wissen Drama Psychological aspects Femininity in literature Gender identity in literature Identity (Psychology) in literature Masculinity in literature Psychological fiction, American History and criticism Sex role in literature Geschlechterverhältnis (DE-588)4020548-4 gnd Identität (DE-588)4026482-8 gnd Identität Motiv (DE-588)4311101-4 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
| topic_facet | Fielding, Henry <1707-1754> - Et la psychologie Fielding, Henry <1707-1754> Knowledge Psychology Fielding, Henry 1707-1754 Féminité dans la littérature Identité (Psychologie) dans la littérature Identité sexuelle dans la littérature Masculinité dans la littérature Rôle selon le sexe dans la littérature Psychologie Wissen Drama Psychological aspects Femininity in literature Gender identity in literature Identity (Psychology) in literature Masculinity in literature Psychological fiction, American History and criticism Sex role in literature Geschlechterverhältnis Identität Identität Motiv Geschlechterrolle Motiv Hochschulschrift |
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