Postmodernism and the en-gendering of Marcel Duchamp:
Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge u.a.
Cambridge Univ. Press
1994
|
| Edition: | 1. publ. |
| Series: | Cambridge studies in new art history and criticism
|
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006360629&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Summary: | Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history |
| Abstract: | Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s |
| Physical Description: | XX, 316 S. Ill. |
| ISBN: | 052143341X |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV009624995 | ||
| 003 | DE-604 | ||
| 007 | t| | ||
| 008 | 940606s1994 xx a||| |||| 00||| eng d | ||
| 020 | |a 052143341X |9 0-521-43341-X | ||
| 035 | |a (OCoLC)27643152 | ||
| 035 | |a (DE-599)BVBBV009624995 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-19 |a DE-188 | ||
| 050 | 0 | |a N6853.D8 | |
| 082 | 0 | |a 709/.2 |2 20 | |
| 084 | |a LI 27420 |0 (DE-625)95913: |2 rvk | ||
| 100 | 1 | |a Jones, Amelia |d 1961- |e Verfasser |0 (DE-588)122492838 |4 aut | |
| 245 | 1 | 0 | |a Postmodernism and the en-gendering of Marcel Duchamp |c Amelia Jones |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge u.a. |b Cambridge Univ. Press |c 1994 | |
| 300 | |a XX, 316 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cambridge studies in new art history and criticism | |
| 520 | 3 | |a Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s | |
| 520 | |a Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity | ||
| 520 | |a This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history | ||
| 600 | 1 | 4 | |a Duchamp, Marcel <1887-1968> |
| 600 | 1 | 4 | |a Duchamp, Marcel <1887-1968> - Critique et interprétation |
| 600 | 1 | 4 | |a Duchamp, Marcel <1887-1968> |x Criticism and interpretation |
| 600 | 1 | 7 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Beeldende kunsten |2 gtt | |
| 650 | 4 | |a Critique d'art féministe - États-Unis | |
| 650 | 7 | |a Kunsttheorie |2 gtt | |
| 650 | 7 | |a Postmodernisme |2 gtt | |
| 650 | 7 | |a Sekseverschillen |2 gtt | |
| 650 | 4 | |a Geschlechtsunterschied | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Postmoderne | |
| 650 | 4 | |a Feminist art criticism |z United States | |
| 650 | 0 | 7 | |a Postmoderne |0 (DE-588)4115604-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Frauenkunst |0 (DE-588)4370467-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstsoziologie |0 (DE-588)4033673-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlechterforschung |0 (DE-588)4482930-9 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |D p |
| 689 | 0 | 1 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 0 | |5 DE-188 | |
| 689 | 1 | 0 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |D p |
| 689 | 1 | 1 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 1 | 2 | |a Geschlechterforschung |0 (DE-588)4482930-9 |D s |
| 689 | 1 | |5 DE-188 | |
| 689 | 2 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 2 | 1 | |a Kunstsoziologie |0 (DE-588)4033673-6 |D s |
| 689 | 2 | 2 | |a Frauenkunst |0 (DE-588)4370467-0 |D s |
| 689 | 2 | 3 | |a Geschichte 1900-2000 |A z |
| 689 | 2 | |8 1\p |5 DE-604 | |
| 689 | 3 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 3 | 1 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |D s |
| 689 | 3 | 2 | |a Geschichte 1900-2000 |A z |
| 689 | 3 | |8 2\p |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung UB Bamberg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006360629&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-006360629 | |
Record in the Search Index
| _version_ | 1821856000616955904 |
|---|---|
| adam_text |
0] [ CONTENTS List of Illustrations Preface ՛ page viii , xi Acknowledgments 1 xix Introduction: Modernist Art History and the En-gendering of (Duchampian) Postmodernism i Ч 2 3 4 5 Duchamp as “Generative Patriarch” of American Postmodernists: The Antimasculinist, AntimodernistLineage 29 The Living Author-Function: Duchamp’s Authority 63 Duchamp’s Seduction: Slippages of the Authorial “I” no The Ambivalence of Rrose Sélavy and the (Male) Artist as “Only the Mother of the Work” 146 Intertext Re-placing Duchamp’s Eroticism: “Seeing” Etant donnés from a Feminist Perspective 6 191 Concluding Remarks on the En-gendering of Marcel Duchamp 205 Notes Index 215 ֊ 310 |
| any_adam_object | 1 |
| author | Jones, Amelia 1961- |
| author_GND | (DE-588)122492838 |
| author_facet | Jones, Amelia 1961- |
| author_role | aut |
| author_sort | Jones, Amelia 1961- |
| author_variant | a j aj |
| building | Verbundindex |
| bvnumber | BV009624995 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6853 |
| callnumber-raw | N6853.D8 |
| callnumber-search | N6853.D8 |
| callnumber-sort | N 46853 D8 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 27420 |
| ctrlnum | (OCoLC)27643152 (DE-599)BVBBV009624995 |
| dewey-full | 709/.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709/.2 |
| dewey-search | 709/.2 |
| dewey-sort | 3709 12 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | 1. publ. |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV009624995</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">940606s1994 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">052143341X</subfield><subfield code="9">0-521-43341-X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)27643152</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV009624995</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6853.D8</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709/.2</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 27420</subfield><subfield code="0">(DE-625)95913:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jones, Amelia</subfield><subfield code="d">1961-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)122492838</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Postmodernism and the en-gendering of Marcel Duchamp</subfield><subfield code="c">Amelia Jones</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge u.a.</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XX, 316 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge studies in new art history and criticism</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Duchamp, Marcel <1887-1968></subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Duchamp, Marcel <1887-1968> - Critique et interprétation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Duchamp, Marcel <1887-1968></subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Beeldende kunsten</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Critique d'art féministe - États-Unis</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Kunsttheorie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Postmodernisme</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sekseverschillen</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschlechtsunterschied</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminist art criticism</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frauenkunst</subfield><subfield code="0">(DE-588)4370467-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstsoziologie</subfield><subfield code="0">(DE-588)4033673-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-188</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="0">(DE-588)11852772X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-188</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Kunstsoziologie</subfield><subfield code="0">(DE-588)4033673-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Frauenkunst</subfield><subfield code="0">(DE-588)4370467-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bamberg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006360629&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006360629</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV009624995 |
| illustrated | Illustrated |
| indexdate | 2025-01-21T11:01:15Z |
| institution | BVB |
| isbn | 052143341X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006360629 |
| oclc_num | 27643152 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-188 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-188 |
| physical | XX, 316 S. Ill. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| series2 | Cambridge studies in new art history and criticism |
| spelling | Jones, Amelia 1961- Verfasser (DE-588)122492838 aut Postmodernism and the en-gendering of Marcel Duchamp Amelia Jones 1. publ. Cambridge u.a. Cambridge Univ. Press 1994 XX, 316 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in new art history and criticism Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history Duchamp, Marcel <1887-1968> Duchamp, Marcel <1887-1968> - Critique et interprétation Duchamp, Marcel <1887-1968> Criticism and interpretation Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd rswk-swf Geschichte 1900-2000 gnd rswk-swf Beeldende kunsten gtt Critique d'art féministe - États-Unis Kunsttheorie gtt Postmodernisme gtt Sekseverschillen gtt Geschlechtsunterschied Kunst Postmoderne Feminist art criticism United States Postmoderne (DE-588)4115604-3 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Frauenkunst (DE-588)4370467-0 gnd rswk-swf Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Duchamp, Marcel 1887-1968 (DE-588)11852772X p Postmoderne (DE-588)4115604-3 s Kunstkritik (DE-588)4033659-1 s DE-188 Geschlechterforschung (DE-588)4482930-9 s USA (DE-588)4078704-7 g Kunstsoziologie (DE-588)4033673-6 s Frauenkunst (DE-588)4370467-0 s Geschichte 1900-2000 z 1\p DE-604 Kunstbetrachtung (DE-588)4125321-8 s 2\p DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006360629&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Jones, Amelia 1961- Postmodernism and the en-gendering of Marcel Duchamp Duchamp, Marcel <1887-1968> Duchamp, Marcel <1887-1968> - Critique et interprétation Duchamp, Marcel <1887-1968> Criticism and interpretation Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Beeldende kunsten gtt Critique d'art féministe - États-Unis Kunsttheorie gtt Postmodernisme gtt Sekseverschillen gtt Geschlechtsunterschied Kunst Postmoderne Feminist art criticism United States Postmoderne (DE-588)4115604-3 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Kunstkritik (DE-588)4033659-1 gnd Frauenkunst (DE-588)4370467-0 gnd Kunstsoziologie (DE-588)4033673-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)11852772X (DE-588)4115604-3 (DE-588)4125321-8 (DE-588)4033659-1 (DE-588)4370467-0 (DE-588)4033673-6 (DE-588)4482930-9 (DE-588)4078704-7 |
| title | Postmodernism and the en-gendering of Marcel Duchamp |
| title_auth | Postmodernism and the en-gendering of Marcel Duchamp |
| title_exact_search | Postmodernism and the en-gendering of Marcel Duchamp |
| title_full | Postmodernism and the en-gendering of Marcel Duchamp Amelia Jones |
| title_fullStr | Postmodernism and the en-gendering of Marcel Duchamp Amelia Jones |
| title_full_unstemmed | Postmodernism and the en-gendering of Marcel Duchamp Amelia Jones |
| title_short | Postmodernism and the en-gendering of Marcel Duchamp |
| title_sort | postmodernism and the en gendering of marcel duchamp |
| topic | Duchamp, Marcel <1887-1968> Duchamp, Marcel <1887-1968> - Critique et interprétation Duchamp, Marcel <1887-1968> Criticism and interpretation Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Beeldende kunsten gtt Critique d'art féministe - États-Unis Kunsttheorie gtt Postmodernisme gtt Sekseverschillen gtt Geschlechtsunterschied Kunst Postmoderne Feminist art criticism United States Postmoderne (DE-588)4115604-3 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Kunstkritik (DE-588)4033659-1 gnd Frauenkunst (DE-588)4370467-0 gnd Kunstsoziologie (DE-588)4033673-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Duchamp, Marcel <1887-1968> Duchamp, Marcel <1887-1968> - Critique et interprétation Duchamp, Marcel <1887-1968> Criticism and interpretation Duchamp, Marcel 1887-1968 Beeldende kunsten Critique d'art féministe - États-Unis Kunsttheorie Postmodernisme Sekseverschillen Geschlechtsunterschied Kunst Postmoderne Feminist art criticism United States Kunstbetrachtung Kunstkritik Frauenkunst Kunstsoziologie Geschlechterforschung USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006360629&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT jonesamelia postmodernismandtheengenderingofmarcelduchamp |