Suchergebnisse - Tucker, Paul 1956-

"J for John Ruskin": line in the art teaching of John Ruskin and Ebenezer Cooke = "J per John Ruskin" : la linea nell'insegnamento del disegno di John Ruskin ed Ebenezer Cooke

A 'new clue': Ruskin's Guide to the Principal Pictures in the Academy of Fine Arts at Venice (1877), the history of Venetian art and the idea of the museum: [Rezension von: John Ruskin: Guide to the Principal Pictures in the Academy of Fine Arts at Venice. Arranged for English Travellers, Venice, 1877. Parts I and II in original mottled grey paper covers; Part I as bound by W.J. Mansell in Ruskin’s ‘official Purple – lettered in gold – for the members of the Venetian Academy’ (J. Ruskin to G. Allen, 7 April 1877, Bodleian Libraries, Oxford, MSS. Eng. lett. c. 41, 255)]

"J after J. Ruskin": line in the art teaching of John Ruskin and Ebenezer Cooke

Trecento "characteristic", Trecento "grotesque": Frederic Burton, Charles Fairfax Murray and early Sienese painting in the National Gallery

Titling and the individuation of artworks

Ruskin and the daguerreotype: a "ziggy-zaggy" path between learning and mislearning

Nuove testimonianze sugli affreschi assisiati: Ruskin e gli acquerelli di Eduard Kaiser per la Arundel Society

Pater and Michelangelo, interpreters of the Renaissance

Division, juncture, system: bridges and bridge-building in the work of John Ruskin

"Pourquoi parler du tableau?": art-critical syntax and aesthetic argument

Eyesight, knowledge, argument: Charles Fairfax Murray on "scientific" connoisseurship

"Drawing is a kind of language": la didattica artistica in John Ruskin e nel dibattito inglese coevo

"The hand as servant": John Ruskin, professor of the manual arts

After Tintoretto: Ruskin's Venetian "picture-work" in 1845 and its impact on his art critical language

A connoisseur and his clients: the correspondence of Charles Fairfax Murray with Frederic Burton, Wilhelm Bode and Julius Meyer (1867-1914)

Guide to the principal pictures in the Academy of Fine Arts at Venice: a critical edition, with other texts on Carpaccio and Venetian painting

Guide to the principal pictures in the Academy of Fine Arts at Venice: a critical edition, with other texts on Carpaccio and Venetian painting