Suchergebnisse - Spring, Marika

Collaboration in the conservation of Baldassare Peruzzi's Nativity

von Stoddart, Olivia, Spring, Marika, Geddes da Filicaia, Eugenia

Integration of macro X-ray fluorescence scanning and reflectance hyperspectral imaging into research and conservation activities at the National Gallery, London

von Melchiorre Di Crescenzo, Marta, Higgitt, Catherine, Billinge, Rachel, Spring, Marika

Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings

von Russell, Joanna, Melchiorre Di Crescenzo, Marta, Padfield, Joseph, Spring, Marika

Giovanni Bellini's painting technique

von Dunkerton, Jill 1952-, Spring, Marika

Inhaltsverzeichnis

"A knight of Saint John" by Rosso Fiorentino: a restoration in context

von Keith, Larry, Melchiorre Di Crescenzo, Marta, Spring, Marika, Aderkas, Nelly von

"An astronomer" by Ferdinand Bol: materials, colour change and conservation

von Spring, Marika, Aderkas, Nelly von, Rukavina, Flaminia, Peggie, David

Colourless powdered glass as an additive in fifteenth- and sixteenth-century European paintings

von Spring, Marika

Aelbert Cuyp's "Large dort": colour change and conservation

von Spring, Marika, Keith, Larry

The technology of eighteenth- and nineteenth-century red lake pigments

von Kirby, Jo, Spring, Marika, Higgitt, Catherine

Raphael's materials: some new discoveries and their context within early sixteenth-century painting

von Spring, Marika

Proscribed pigments in Northern European Renaissance paintings and the case of Paris red

von Kirby, Jo, Saunders, David, Spring, Marika

Investigation of pigment-medium interaction processes in oil paint containing degraded smalt

von Spring, Marika

"Black earths": a study of unusual black and dark grey pigments used by artists in the sixteenth century

von Spring, Marika, Grout, Rachel, White, Raymond

The technique of Garofalo's paintings at the National Gallery

von Dunkerton, Jill 1952-, Penny, Nicholas 1949-, Spring, Marika

Occurences of the purple pigment fluorite on paintings in the National Gallery

von Spring, Marika

A virgin and child from the workshop of Albrecht Dürer?

von Ackroyd, Paul, Foister, Susan 1954-, Spring, Marika

Veronese's paintings in the National Gallery: technique and materials ; part I

von Penny, Nicholas 1949-, Spring, Marika

Original or early surface coatings on portraits by Jan van Eyck

von Dunkerton, Jill 1952-, Spring, Marika, Peggie, David, Stelzig, Sandra

Van Eyck's technique and materials: historical perspectives and contemporary context

von Spring, Marika, Morrison, Rachel

Goya's portraits in the National Gallery: their technnique, materials and development

von Spring, Marika, Billinge, Rachel, Treves, Letizia, Aderkas, Nelly von, Higgitt, Catherine, Loon, Annelies van, Dik, Joris