Suchergebnisse - Skaug, Erling S. 1938-

Spillet om Nasjonalgalleriet: en politisk skandale

Giotto and the flood of Florence in 1333: a study in catastrophism, guild organisation and art technology

Centro Nordico del Restauro a Firenze: a summary on the 50th anniversary of he flood of Florence in 1966 = The Nordic Centre for Restauration in Florence, 1967-70

Vices and virtues of technical evidence: notes on the Alberto Crespi Collection, with particular attention to Giovanni di Bartolomeo Cristiani and Nanni di Jacopo

Bernardo Daddi's chronology and workshop structure, as defined by technical criteria

Tecniche ed estetica nella pittura del Trecento italiano: l' "impronta digitale" nei dipinti di Altenburg come supporto nella ricrca storico-artistica

Towards a reconstruction of the Santa Maria degli Angeli altarpiece of 1388: Agnolo Gaddi and Lorenzo Monaco?

The altarpiece for St Bridget's first chapel at Piazza Farnese in Rome

St Bridget's vision of the Nativity and Niccolò di Tommaso's late period

Contributions to Giovanni Bonsi

Punch marks - what are they worth?: problems of Tuscan workshop interrelationships in the mid-fourteenth century ; the Ovile Master and Giovanni da Milano

Neri di Bicci's Madonna and Child enthroned with two Saints and donor, Uffizi Gallery, Florence: materials, technique, and restoration

Neri di Bicci's Madonna and Child enthroned with two Saints and donor, Uffizi Gallery, Florence: materials, technique, and restoration

The St. Anthony Abbot ascribed to Bartolo di Fredi in the National Gallery, London: a contribution to the attribution game

Did Francesco di Michele alias the Master of San Martino a Mensola, start out in Giovanni Bonsi's workshop?

Eine Einführung in das Leben und die Kunst Cennino Cenninis

Niccolò di Tommaso of Florence, St Bridget of Sweden's first painter

Towards an integrated methodology for the Trecento: contributions to Pietro Nelli's early phase

Pre-Eyckian oil painting in Catalonia: the Abegg frontal - a piece in the puzzle

Punch marks from Giotto to Fra Angelico: attribution, chronology, and workshop relationships in Tuscan panel painting ; with particular consideration to Florence, c. 1330 - 1430