Suchergebnisse - Scillia, Diane G.

Sacred and secular: Israhel van Meckenem & early German engraving

Composing the "raising of Lazarus", ca. s1495

[Rezension von:] Hall, Edwin: The Arnolfini betrothal : medieval marriage and the enigma of Van Eyck's double portrait. - Berkeley : University of California Press, 1994

The woodcut designers of Delft and their ties to Dutch manuscript illumination

Van Mander on Ouwater and Geertgen

Looking for fun in all the wrong places: humour and comedy in moralizing prints

Composing the 'Raising of Lazarus', ca. 1495

The Cleveland Annunciation and the origins of Flemish painting

The woodcut designers of Delft and their ties to Dutch manuscript illumination

The Master of the London Passional: Johann Veldener's "Utrecht Cutter"

Three new panels by the Master of the Tiburtine Sibyl: the Presentation of the Virgin, the Nativity, and the Circumcision

Dressing the part: costume in Israhel van Meckenem's secular imagery

Hunter rabbits/hares in fifteenth- and sixteenth-century Northern Europe art: parody and carnival?

The Master of the Tiburtine Sibyl's Raising of Lazarus (Mexico City, San Carlos Museum) and the early Haarlem School of Painting reconsidered

Gerard David's St. Elizabeth of Hungary in the Hours of Isabella the Catholic

The early Haarlem School of Painting, the master of the Tiburtine Sibyl and the Detroit crucifixion

The audiences for Israhel van Meckenenm's proverb imagery, circa 1500

Albert and Louis from an early sixteenth-century manuscript of the Dukes of Bavaria

A late work from the circle of the master of Catherine of Cleves, the 'Seven Days of Creation' from the Bible of Henri de Cherauz