Suchergebnisse - Olmsted, Jennifer W.

Delacroix's Moroccans: art and masculinity

Near East to Far West: fictions of French and American colonialism

Samuel F. B. Morse's 'Gallery of the Louvre" and the art of invention: The Huntington Library, Art Collections, and Botanical Gardens, San Marino, January 24-May 4, 2015; Amon Carter Museum, Fort Worth, May 23-August 23, 2015; Seattle Art Museum, Seattle, September 16, 2015-January 10, 2016; Crystal Bridges Museum of American Art, Bentonville, January 23-April 18, 2016; Detroit Institute of Arts, Detroit, June 18-September 18, 2016; Peabody Essex Museum, Salem, October 8, 2016-January 8, 2017; Reynolda House Museum of American Art, Winston-Salem, February 17-June 4, 2017; New Britain Museum of American Art, New Britain, June 17-October 15, 2017

Public and private identities in Delacroix's "Portrait of Charles de Mornay and Anatole Demidoff"

The sultan's authority: Delacroix, painting, and politics at the Salon of 1845

[Rezension von:] O'Brien, David: After the revolution : Antoine-Jean Gros, painting and propaganda under Napoleon. - University Park, Pennsylvania : Pennsylvania State University Press, 2006

The form of memory: Delacroix and the sketchbook

Du Maroc et de la modernité: les cavaliers arabes de Delacroix

Divided allegiances: French images of North Africa and the Eastern Mediterranean, 1798-1848