Suchergebnisse - McCarthy, David 1960-

H. C. Westermann at war: art and manhood in cold war America

The nude in American painting: 1950 - 1980

American artists against war, 1935-2010

Defending allusion: Peter Saul on the aesthetics of rhetoric

Pop Art

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Social nudism, masculinity and the male nude in the work of William Theo Brown and Wynn Chamberlain in the 1960s

An open-ended question: H.C. Westermann's Untitled, 1962

A thank-you note from H. C. Westermann

Social nudism, masculinity, and the male nude in the work of William Theo Brown and Wynn Chamberlain in the 1960s

David Smith's spectres of war and peace

Payback was a painting: Jack Levine's 'Welcome Home'

Pop Art

[Rezension von:] Rooks, Michael; Warren, Lynne: H. C. Westermann : exhibition catalogue and catalogue raisonné of objects. ; Exhibition. Museum of Contemporary Art, Chicago, 30 June to 23 September 2001; Hirschhorn Museum and Sculpture Garden, Smithsonian Institution, 14 February to 12 May 2002; Museum of Contemporary Art, Los Angeles, 9 June to 8 September 2002; The Menil Collection, Houston, 4 October 2002 to 5 January 2003. - Chicago : Museum of Contemporary Art, Harry N. Abrams, 2001 // Adrian, Dennis; Born, Richard A.: See America first : the prints of H. C. Westermann ; exhibition ; David and Alfred Smart Museum of Art, University of Chicago, 28 June to 9 September 2001; University of Virginia Art Museum, Charlottesville, 26 January to 31 March 2002; Laguna Art Museum, Laguna Beach, California, 28 April to 7 July 2002; Contemporary Arts Museum, Houston, 4 October to 1 December 2002. - Chicago : David and Alfred Smart Museum of Art and the University of Chicago, 2001

The face of evil: H. C. Westermann's The Evil New War God (S. O. B.) (1958)

Andy Warhol's silver Elvises: meaning through context at the Ferus Gallery in 1963

Pop art

The nude in American painting, 1950-1980