Suchergebnisse - Cowling, Elizabeth 19XX-

Picasso portraits

Picasso, style and meaning

Cubism and the trompe l'oeil tradition

Picasso's evolving engagement with El Greco is demonstrated by the juxtaposition of a magnificient array of works by both artists: Picasso - El Greco : Kunstmuseum Basel, 11th June-25th September

Picasso: Blue and Rose // The Young Picasso: Blue and Rose periods: Musée d'Orsay, Paris : 18th September 2018 - 6th January // Fondation Beyeler, Basel : 3rd February - 26th May

Sir John Richardson (1924-2019)

Henri Matisse: the cut-outs ; London and New York

Le papier peint dans les papiers collés cubistes, 1912-1914

What the wallpapers say: Picasso's papiers collés of 1912 - 14

Picasso's "La femme à la clé" (1953-54): the sculptor, his model and his assistant

The fine art of cutting: Picasso's "papiers collés" and constructions in 1912 - 14

[Rezension von:] Weiss, Jeffrey: The popular culture of modern art : Picasso, Duchamp, and avant-gardism. - New Haven : Yale University Press, 1994

For and against trompe l'oeil

Picasso and paper: Royal Academy of Arts, London : 25th January–13th April

[Rezension von:] Brunner, Kathleen: Picasso rewriting Picasso. - London : Black Dog, 2004

Elective affinities: Giacometti in the palace of bones

The passage of time in Picasso's "neo-classical" paintings: permanence, transience and continuity

Paris: Picasso and the portrait

Picasso: an inner coherence

[Rezension von:] Halperin, Joan Ungersma: Félix Fénéon, aesthete and anarchist in Fin-de-Siècle Paris. - London, 1989