Suchergebnisse - Cowling, Elizabeth

Picasso portraits

Picasso, style and meaning

The cello

The Italian sonata literature for the violoncello in the baroque era

Cubism and the trompe l'oeil tradition

Picasso's evolving engagement with El Greco is demonstrated by the juxtaposition of a magnificient array of works by both artists: Picasso - El Greco : Kunstmuseum Basel, 11th June-25th September

Picasso: Blue and Rose // The Young Picasso: Blue and Rose periods: Musée d'Orsay, Paris : 18th September 2018 - 6th January // Fondation Beyeler, Basel : 3rd February - 26th May

Sir John Richardson (1924-2019)

Henri Matisse: the cut-outs ; London and New York

Le papier peint dans les papiers collés cubistes, 1912-1914

What the wallpapers say: Picasso's papiers collés of 1912 - 14

Picasso's "La femme à la clé" (1953-54): the sculptor, his model and his assistant

The fine art of cutting: Picasso's "papiers collés" and constructions in 1912 - 14

[Rezension von:] Weiss, Jeffrey: The popular culture of modern art : Picasso, Duchamp, and avant-gardism. - New Haven : Yale University Press, 1994

The cello

For and against trompe l'oeil

Picasso and paper: Royal Academy of Arts, London : 25th January–13th April

[Rezension von:] Brunner, Kathleen: Picasso rewriting Picasso. - London : Black Dog, 2004

Elective affinities: Giacometti in the palace of bones

The passage of time in Picasso's "neo-classical" paintings: permanence, transience and continuity