Suchergebnisse - Campbell, Erin J.

Old women and art in the early modern Italian domestic interior

Listening to objects: an ecological approach to the decorative arts

The Early Modern Italian Domestic Interior, 1400-1700: Objects, Spaces, Domesticities

[Rezension von: Christian Krötzl, Katariina Mustakallio (ed.), On Old Age: Approaching Death in Antiquity and the Middle Ages. The History of Daily Life 2. Turnhout: Brepols, 2011. Pp. xix, 346. ISBN 9782503532165]

Balancing act: Andrea Brustolon's "La Forza" and the display of imported porcelain in eighteenth-century Venice

[Rezension von:] Domestic institutional interiors in early modern Europe. - Farnham : Ashgate, 2009

"Unenduring" beauty: gender and old age in early modern art and aesthetics

[Rezension von:] San Juan, Rose Marie: Rome : a city out of print. - Minneapolis : Univ. of Minnesota Press, 2001

[Rezension von:] Wilson, Carolyn C.: St. Joseph in Italian Renaissance Society and Art : new directions and interpretations. - Philadelphia : St. Joseph's University Press, 2001

[Rezension von:] Barzman, Karen-Edis: The Florentine Academy and the early modern state : the discipline of "disegno". - Cambridge : Cambridge University Press, 2000

Heated bodies: fireplaces and the senses in the early modern Italian domestic interior

Review Spring 2021: [Rezension von: Fabrizio Nevola, Street Life in Renaissance Italy. New Havenand London: Yale University Press, 2020 // Matthew M. Reeve, Gothic Architecture and Sexuality in the Circle of Horace Walpole. University Park, PA: The Pennsylvania State University Press, 2020 // Carla D’Arista, The Pucci of Florence: Patronage and Politics in Renaissance Italy. Turnhout: Harvey Miller Publishers, 2020 // Louise Campbell, Studio Lives: Architect, Art and Artist in 20th-Century Britain. London: Lund Humphries, 2019]

Old wives and art in early modern Bologna

Chronotopologies oft art history

[Rezension von:] Cohen, Simona: Animals as disguised symbols in Renaissance art. - Leiden : Brill, 2008

Old age and the politics of judgment in Titian's Allegory of Prudence

The gendered 'paragone' in late sixteenth-century art theory: Francesco Bocchi and Jacopo Pontormo's S. Lorenzo frescoes

Art and family viewers in the seventeenth-century Bolognese domestic interior

Good housekeeping: objects and agency in early modern Italian domestic interior

Prophets, saints, and matriarchs: portraits of old women in early modern Italy